This is Photobus by Daniel Meadows, homepage of the Free Photographic Omnibus and Digital Stories. Photobus is a journey in photo documentary. It began in the 1970s with still photographs and continues into the present, a time when pictures have discovered the talkies.

ONCE UPON A TIME...

 


...I lived in a double-decker bus, reg. JRR 404, better known as the Free Photographic Omnibus. She was my home, my travelling darkroom and gallery.

For fourteen months in 1973 and '74, we travelled about making a national portrait of the English. We covered 10,000 miles shooting pictures and giving them away. In January 1975 we parted company. But that wasn't the end of the journey...

...I'm still working.

Interview with Daniel Meadows from Multistory.

 

NEWS

Oct 17, 2017

BBC Inside Out North West. A half-hour TV programme made of three 10 min. films. Meadows in Moss Side starts at 19 min, 8 sec.

Oct 16, 2017

Moss Side pictures by Daniel Meadows from 1972 on BBC today, Online and TV.

Sep 28, 2017

Burberry Here We Are exhibition in London, just four more days to run. Daniel Meadows interview on Instagram.

Sep 20, 2017

Here We Are 
Burberry launches its autumn collection with a photography show celebrating the images that have inspired its latest designs.

Sep 11, 2017

Ffoton's Emyr Young interviews Daniel Meadows about the BBC's BAFTA Cymru-winning digital storytelling project Capture Wales 2001-2008.

 

 

 

 

 

 

 

 

 

 

Polyfoto
r/t: 2 min, 23 sec.

In the UK when we ask: "Where are you from?" we want to know a lot more than just your place of birth.

This story is about the England I come from.

<< Agee and Evans >>
Inspirations: 1 of 10

James Agee and Walker Evans. Book. 1941. Let Us Now Praise Famous Men. Sent in 1936 to produce a magazine article on the poverty of white sharecroppers in Alabama, Agee and photographer Evans stretched out the assignment and made a book instead. Agee didn't have a rule book to tell him what precisely to document. So he precisely documented everything: from the depth of dust in a drawer to his passionate feelings for one of his subjects. Here he observes a family preparing to be photographed by Evans: "...looking into your eyes and seeing thus, how each of you is a creature which has never in all time existed before and which shall never in all time exist again and which is not like any other and which has the grand stature and natural warmth of every other..."