This is Photobus by Daniel Meadows, homepage of the Free Photographic Omnibus and Digital Stories. Photobus is a journey in photo documentary. It began in the 1970s with still photographs and continues into the present, a time when pictures have discovered the talkies.

ONCE UPON A TIME...

 


...I lived in a double-decker bus, reg. JRR 404, better known as the Free Photographic Omnibus. She was my home, my travelling darkroom and gallery.

For fourteen months in 1973 and '74, we travelled about making a national portrait of the English. We covered 10,000 miles shooting pictures and giving them away. In January 1975 we parted company. But that wasn't the end of the journey, for people still want to look at those pictures we made, all that time ago.

Picture: Magali Delporte

As at the Burberry Here We Are exhibition — 25,000 visitors in London last September — and 17,000 visitors in Paris (above) this month.

 

NEWS

Jan 31, 2018

New title from Café Royal Books, Daniel Meadows’s film stills from Tony Palmer’s Testimony, 1987.

Jan 1, 2018

Daniel Meadows and David Hurn walk-and-talk Hurn’s ‘Swaps’ exhibition at Museum Wales in Cardiff.

Oct 17, 2017

BBC Inside Out North West. A half-hour TV programme made of three 10 min. films. Meadows in Moss Side starts at 19 min, 8 sec.

Oct 16, 2017

Moss Side pictures by Daniel Meadows from 1972 on BBC today, Online and TV.

Sep 28, 2017

Burberry Here We Are exhibition in London, just four more days to run. Daniel Meadows interview on Instagram.

Sep 20, 2017

Here We Are 
Burberry launches its autumn collection with a photography show celebrating the images that have inspired its latest designs.

 

 

 

 

 

 

 

 

 

 

Polyfoto
r/t: 2 min, 23 sec.

In the UK when we ask: "Where are you from?" we want to know a lot more than just your place of birth.

This story is about the England I come from.

<< Ivan Illich >>
Inspirations: 5 of 10

Book. 1973. Tools for Conviviality: "Tools are intrinsic to social relationships", he writes. "An individual relates himself in action to his society through the use of tools that he actively masters, or by which he is passively acted upon. To the degree that he masters his tools he can invest the world with his meaning; to the degree that he is mastered by his tools, the shape of the tool determines his own self-image. Convivial tools are those which give each person who uses them the greatest opportunity to enrich the environment with the fruits of his or her vision."