Mar 30, 2019

NEWS: Daniel Meadows at the Hepworth, Thursday 25 April 2019


Modern Nature Symposium

Modern Nature: British Photographs from the Hyman Collection
On Thursday 25 April, Daniel Meadows will give a presentation and, afterwards, join a panel discussion with fellow photographers Simon Roberts and Peter Mitchell, chaired by James Hyman
Full schedule to be announced, check the website for details
Thur 25 – Fri 26 April 2019, 10.30am - 4pm
Free, booking required

The Hepworth Wakefield
Gallery Walk
Wakefield
West Yorkshire
WF1 5AW
+44 (0)1924 247360

Jun 19, 2019

Daniel Meadows’ photograph John Payne and friends with pigeon Chequer: Portsmouth, April 1974 is on display this summer on Sheffield railway station, six feet high.

Jun 7, 2019

Elaine Constantine on Daniel Meadows: “It’s the work of a person who has tirelessly tried to communicate the stories of ordinary people, their motivations and triumphs as well as their humble and changing circumstances”

Apr 4, 2019

OUT TODAY: This Searing Light, the Sun and Everything Else: Joy Division: The Oral History by Jon Savage

Nov 25, 2018

Martin Parr: Return to Manchester includes June Street, Salford 1973, a collaborative project with Daniel Meadows

Aug 13, 2018

Boot-boys are 'Big Picture' in the Observer.

Polyfoto
r/t: 2 min, 23 sec.

In the UK when we ask: "Where are you from?" we want to know a lot more than just your place of birth.

This story is about the England I come from.

<< Dana Atchley >>
Inspirations: 2 of 10

Two astonishing Digital Stories. Late 1990s.

Home Movies (aka The Turn Film) celebrates Atchley's grandfather's annual ritual of marching his four sons out of the house, walking them up the garden path and then telling them to do a 360 degree turn for the camera. By editing several of these "turn" clips together Atchley gives us a beautiful yet funny sequence of a family growing up, something he reflects upon in voice-over. Time is telescoped.

Redheads is narrated, both to camera and in voice-over, by Atchley's mother Martha who tells of her childhood growing up on a farm in western New York State.

I paid my first visit to Atchley's Next Exit site in the spring of 2000 and we immediately began an email exchange. He invited me to attend a Centre for Digital Storytelling workshop in Berkeley, California, later that year... which I did.