This work was first published as The Daniel Meadows Archive, The Shop on Greame Street, 1972, in the academic journal Photography & Culture, vol.3, issue 1, pp.81-90, March 2010
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The Shop on Greame St
r/t: 4 min, 46 sec.
In 1972, when I was a student at Manchester Poly, I ran a free portrait studio in a disused barber's shop in the city's Moss Side district.
Two astonishing Digital Stories. Late 1990s.
Home Movies (aka The Turn Film) celebrates Atchley's grandfather's annual ritual of marching his four sons out of the house, walking them up the garden path and then telling them to do a 360 degree turn for the camera. By editing several of these "turn" clips together Atchley gives us a beautiful yet funny sequence of a family growing up, something he reflects upon in voice-over. Time is telescoped.
Redheads is narrated, both to camera and in voice-over, by Atchley's mother Martha who tells of her childhood growing up on a farm in western New York State.
I paid my first visit to Atchley's Next Exit site in the spring of 2000 and we immediately began an email exchange. He invited me to attend a Centre for Digital Storytelling workshop in Berkeley, California, later that year... which I did.
The Shop on Greame Street
In the spring of 1972 I rented a disused barber's shop on Greame Street, Moss Side, in Manchester's inner city and opened a free photographic studio. I took photographs of local residents as their streets were being torn down for urban regeneration.
In August 2017 I returned to the city and worked with Dominic Callaghan, a producer from BBC Inside Out North West, making a film with some of the people from those photographs, now mostly in their fifties, who talked about what it was like to grow up in Moss Side at that time and how demolition and resettlement affected their lives.
It's the nature of documentary photography that it can take a very long time to reach an audience outside of its original context. So, even though it's forty-six years since I made these pictures, it doesn't surprise me that they're at last being noticed. Here's a BBC Online feature from 2017:
BBC Online feature, first posted 16.10.17
I love it when people spot themselves in the pictures and contact me.
I get particularly excited about these Moss Side photographs because, although my archive contains fascinating fragments of typescript and also some audio recordings, no proper list of the names of those photographed has survived. So, every time someone who is depicted makes themselves known, my research progresses.
In 2105 I met up with Neville Davis, formerly of Richmond Street in Moss Side. Here's a little film about our reunion, made by the Midlands based community arts organisation Multistory.